Lena Baker

Year of birth: 1986.
Where do you live: city of Alexandria, Virginia, USA.
Your education: no formal art education, self-taught.
Describe your art in three words: bold, unique, provoking.
Your discipline: oil painting.
Website | Instagram

Can you share the inspiration behind using Martian dust in your artwork? How did the idea come about?

The idea of incorporating Martian dust into my artwork was born from a desire to create a physical connection with Mars. Initially, I considered using Earth materials—like sand or rocks—to symbolize the link between our planet and Mars, especially since no Martian soil samples have been brought back to Earth yet. While researching the chemical composition of Martian soil to find comparable Earth materials, I stumbled upon the fascinating discovery of Martian meteorites.

These meteorites, which originated from Mars and landed on Earth, are often cut into smaller pieces, producing dust as a byproduct. I found a reputable company that has been selling certified meteorites since the 1990s and reached out to them about using their Martian dust in my art. They were incredibly supportive, and I ended up purchasing more than half of their available stock.

Incorporating genuine Martian dust into my paintings adds an unparalleled layer of authenticity and deepens the connection to the Red Planet. It’s not just symbolic—it’s a tangible fragment of Mars embedded within the artwork, bringing viewers closer to the landscapes I portray. For me, this element bridges the gap between artistic imagination and the scientific marvel of Mars.

What challenges have you faced in sourcing and integrating Martian dust into your oil paintings?

One of the main challenges with using Martian dust is its unique light grey color and how it reacts when wet. The dust can become muddy when mixed with oil paint, altering its appearance and creating unintended color shifts. For example, when I aim to create a light grey highlight, the dust can sometimes darken to a Raw Sienna-like brown if it absorbs too much oil from the paint. To avoid this, I’ve developed a precise technique: I make delicate tapping motions to apply the dust and wait for the paint to partially dry—usually a day or two—before integrating it. This careful process ensures the dust retains its intended visual impact.

Sourcing the Martian dust was another hurdle. It’s sold in small quantities by only a few specialized companies, so I needed to secure enough to complete the entire Martian Treks series. While it’s a significant investment, the inclusion of genuine Martian material adds unparalleled value to my work—both in its authenticity and its ability to connect viewers more deeply with the Red Planet.

Lena Baker | Fissure Near Cerberus Fossae | 2024

The Martian Treks series is unique. How do NASA’s high-resolution images influence your interpretation of Mars’ landscapes?

When I first saw NASA’s high-resolution images of Mars’ landscapes, I was struck by their abstract beauty. These photos looked like they could be paintings, carrying a natural artistic quality that was both surprising and captivating. Despite their visual appeal, I couldn’t find any artist who had created a dedicated series of paintings based on Mars landscapes interpreted through scientific data. That realization inspired me to merge the abstract aesthetics of the Martian surface with the precise details provided by science.

Mars is frequently discussed in scientific circles but remains underrepresented in the art world. With Martian Treks, I aim to bridge this gap—highlighting the planet’s unique beauty while bringing attention to its significance. By interpreting these landscapes, I hope to inspire a greater appreciation for Mars, not only as a subject of exploration but also as a source of artistic inspiration.

What is your process for transforming scientific data into impressionistic and textured compositions?

My process begins with selecting NASA’s high-resolution images of Mars that intrigue me—photos that already carry a sense of abstraction or an unusual interplay of textures and colors. I study the scientific context behind these images, such as the mineral compositions or geological formations they depict. Understanding these details allows me to maintain a connection to the scientific data while interpreting it artistically.

When translating these landscapes onto canvas, I rely on a mix of impressionistic techniques and detailed layering. I build texture by incorporating oil paints in varying consistencies, and I use a palette inspired by the enhanced colors in NASA’s images, which reveal features beyond human vision. Martian dust adds a physical and tactile layer, grounding the piece in the reality of Mars itself.

This process isn’t about recreating the images precisely but rather capturing their essence. I aim to evoke a sense of otherworldly wonder while inviting viewers to explore the unseen and unfamiliar through art.

How do viewers typically react to the use of Martian dust and the concept of connecting art with planetary science?

Viewers are often intrigued and surprised when they learn about the use of Martian dust in my paintings. One of the most common questions I receive is about how the dust is sourced and whether it’s truly from Mars. Occasionally, someone will ask about the legitimacy of identifying meteorites as Martian. I reassure them that this process is rigorously scientific—Martian meteorites are recognized by experts and even displayed in institutions like the National Air and Space Museum in Washington DC. 

These reactions highlight how new and unfamiliar this area is for most people, underscoring the importance of bringing awareness to it. As Mars gains more attention in the space community and discussions of colonization grow, connecting art with planetary science offers a unique way to engage people and spark curiosity about the Red Planet.

Lena Baker | Opportunity is Still Smiling | 2024

Do you believe your art bridges the gap between science and art for your audience? If so, how?

Bridging the gap between science and art is at the heart of my mission with the Martian Treks series. As an artist, I approach this connection from one side of the metaphorical bridge, offering my interpretation of Mars’ landscapes and geological features. While I don’t have the expertise of a scientist, I aim to inspire curiosity and invite viewers to see the scientific data in a new, more emotional light.

I hope this series serves as an outstretched hand, reaching toward the science community and anyone passionate about exploration, to create a shared appreciation of Mars through art. Together, we can form a meaningful connection that blends scientific discovery with artistic expression.

What advice would you give to artists who want to integrate scientific or unconventional materials into their work?

My advice to artists looking to integrate scientific or unconventional materials into their work is to embrace curiosity and boldness. Dive deeply into your subject matter, and don’t be afraid to push boundaries. Think big, even if your ideas initially seem far-fetched—sometimes those “impossible” ideas lead to the most groundbreaking discoveries.

When I began brainstorming Martian Treks, I had no idea what resources were available to me. It felt almost absurd to imagine incorporating something as specific as Martian dust into my art. But by researching and following that seemingly outlandish idea, I discovered it was not only possible but exactly what my work needed to create a profound connection with Mars.

Be willing to explore the unknown, and trust that your curiosity will guide you to something extraordinary.