Where do you live: Sydney, Australia
Your education: Currently in my 2nd year of a 3 year Bachelor of Fine Arts degree at the National Art School Sydney
Describe your artworks in 3 words: Fluid, bright, organic
Your discipline: drawing/painting
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What drew you to the Australian landscape and wildlife as the main subject of your artwork?

Growing up in Australia, I was immediately captivated by the landscape, as I was immersed in the bushland from a young age. My father often took me and his colleagues on bushwalks, where I learned about native flora and fauna. He instilled in me an appreciation for the importance of protecting the environment, which has become a vital aspect of my artistic practice. I continue to explore the Australian landscape through constant research and artistic experimentation.

How has studying at the National Art School influenced your creative process?

My first year of a Fine Arts degree at the National Art School has allowed me to fully commit to my art-making practice. This intensive learning environment has helped me focus on refining my skills and developing strong conceptual ideas for my work. The full-time study has significantly enhanced my creative process, enabling me to push my artistic boundaries.

Your work involves both acrylic and calligraphy ink. How do you decide which medium to use for each piece?

I often explore the combination of acrylic and calligraphy ink, as the two mediums complement each other beautifully. I typically begin with calligraphy ink, as it creates bold, contrasting outlines. When mixed with water, it forms stunning golden and navy blue washes. I also apply the ink with a stick, reinforcing a connection to the natural world through organic, expressive forms. I then use acrylic ink for colour and finalise my work with white acrylic paint to highlight key elements.

Can you describe the role of fluidity and expressiveness in your work?

Fluidity plays a crucial role in my work, allowing me to capture the organic essence of wildlife and landscapes. The expressive nature of ink enables me to depict the beauty of the natural world as I perceive it, emphasising movement and vitality in each piece.

What do you hope your audience takes away from your paintings of Australian wildlife?

My goal is for my audience to develop a deep connection with my work and leave with a renewed awareness of the environment. I hope my paintings inspire people to consider their impact on nature and take steps to reduce harm, ultimately helping to preserve the vibrant and beautiful world that my artwork portrays.

How do you approach capturing the habits and energy of animals in your paintings?

I use organic and fluid materials, such as ink, to authentically capture the natural energy of the animals I paint. The expressive quality of these materials allows me to convey movement, character, and the unique essence of each subject.

Can you share a memorable experience from one of your exhibitions or competitions?

One of the most significant moments in my artistic journey happened in 2022, at the age of 17, during my first exhibition at the Hunter Wetland Centre in Newcastle. As I was taking down my artwork, a man approached me and asked if my magpie goose painting was still available. He shared that he had volunteered every day for 30 years, feeding the geese at 10 o’clock, and that my painting deeply resonated with him. This moment stays with me as a reminder of the powerful connections my art can create, reinforcing my passion for capturing the essence of Australian wildlife.

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